CONFLICT
- LIVE AT CENTRO IBERICO
Slipping into a position
that they were destined to maintain for many a year by continuing to
give succour to the Anarcho Punk scene was Conflict, whose next
record release was the 7" EP Live At Centro Iberico.
Released on the Poison
Girls' XNTrix label, it contained six songs of fair to medium
quality, acting primarily as a document of Conflict playing live
during that period. Being a live recording, justice wasn't really
being done to the songs but served instead as a teaser for what
Conflict might actually be capable of producing. Of greater interest
was the fact that the recording was taken from a gig at the Centro
Iberico, an old school building in West London that had been taken
over and squatted by Spanish anarchists.
All the money that had
been made from the Crass/Poison Girls split single, Bloody
Revolutions/Persons Unknown, had been put toward the setting up of an
anarchist center in London. A place where anarchists, Punks and
anarchist Punks could go 'to drink a cuppa and meet people of
possibly similar views'. According to the sleeve notes on Bloody
Revolutions, the aims of the center were both political and social.
The political aim being to make anarchist literature and ideas more
easily available; the social aim being to offer a meeting place for
people interested in anarchy and its various outlets, as in music,
etc.
True to the word of all
involved, the center was opened in an old warehouse in Wapping, East
London, but after just a year the project folded. In the introduction
to the Shock Slogans booklet that came with Christ - The Album, an
update regarding the center was printed:
'The Anarchy Center
closed down after a year in which, apart from some very good gigs,
very little happened. The general feeling is that we were ripped off
and that a lot of the money that we, Poison Girls and many others put
into the center was wasted'.
In this instance, it
seemed, the reality fell short of the idea.
After the closure of the
Anarchy Center, the people who had been putting on the gigs there
moved operations to the Centro Iberico where, under the umbrella of
the Spanish anarchists along with The Mob and their entourage a free,
autonomous venue was established.
Sometimes, it seemed, the
reality could match the idea.
Britain was being a bit
slow in catching up with other European countries where squatted,
autonomous venues were widespread but through the persistence and
hard work of a small number of people, the situation was slowly but
surely changing, ably supported by a plethora of bands - Conflict
being one of them.
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