WESSEX
'82
For quite some time, Dick
Lucas had been releasing cassette tapes of early Subhumans demos and
gigs on his own Bluurg Tapes label. Buoyed by the success of his band
and taking a cue from Spiderleg and Crass Records, the next logical
step was to set up his own record label. Bluurg Records was the
result and the début release was a 7" compilation EP entitled
Wessex '82, featuring one track each from the Subhumans, the
Pagans, Organized Chaos, and the A Heads.
With a cover adorned with
a photo of the giant white horse cut into the hill at Westbury, the
EP was an empathetic gesture of solidarity and support to the
Subhumans' Punk neighbours. Apart from their mutual surroundings, all
the bands on the record shared a buzzing, tuneful style of Punk that
lifted the different vocal styles to a similar level of energised
joy.
Lyrically, all the
thoughts expressed in the songs shared also an almost world weary
cynicism, turned upside down by the music to become celebratory: "No
thanks sonny, you're no use any more... You'd better wave goodbye to
your dreams... You're just a fucking victim... What's the use in
trying too hard?"
If feeling like this was
a sign of the times then coming together with like-minded souls was a
way perhaps of dealing with it all? Subhumans and the tribe of bands
around them as featured on the EP were helping and finding strength
in each other to create something from the hopelessness of the world
and then moving forward together into a brighter and better future.
Realising that isolation
from any centre of activity such as London or any other major city
was no hindrance to creativity was a small but very significant step
forward. All that was needed was for just one person (such as Dick
Lucas, for example) or a small collective of people (such as the
Subhumans, for example) to show by example and the ball could start
rolling; creating (in Wiltshire, for example) the most extraordinary
flowerings (of Punk, for example).
A spark that could light
a flame that could start a fire.
Or to quote Situationist
Raoul Vaneigem: "From this moment despair ends and tactics
begin. Despair is the infantile disorder of the revolutionaries of
everyday life."
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